The calligraphic forms, though partially obscured, still retain their dynamic energy, flowing across the canvas in sweeping gestures. The black strokes, remnants of Arabic letterforms, interact with the raw, weathered textures, reinforcing a sense of disruption and transformation. The overlay of white paint, applied with a rough and expressive hand, acts both as a veil, partially concealing the script beneath it. This suggests themes of censorship, forgotten histories, or the impermanence of language and identity.

Beneath the layers of white, hints of earthy oranges, greens, and blacks peek through, adding depth and complexity. These colours evoke a sense of heritage, tradition, and natural decay, while their geometric undertones reference the structured precision of Islamic art and architecture. Instead of rigid symmetry, this piece embraces chaos and fragmentation, positioning Arabic calligraphy within a contemporary, almost post apocalyptic landscape.